Eggleston's pictures have been described as "anti-heroic", "vulgar" and "boring". He typically focuses on details of the everyday environment that go unnoticed: shoes and clutter underneath a bed; a naked lightbulb in a violently red ceiling; a dog drinking from a muddy roadside puddle. At first glance, they could be amateur snapshots, albeit brightly coloured. (Eggleston dye-transferred his prints for exhibition, achieving a degree of colour saturation no printing process can match.) On closer inspection, they're the opposite: precise compositions, graphically sophisticated and laden with implied narrative, sometimes even violence. There are rarely people in his pictures, but there is always evidence of human presence, and of the tension between the natural and artificial.
Tuesday, August 03, 2004
Lots of William Eggleston links today at coincidences, incl. more from the Guardian:
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